- Sep 09, 2014 The White Snake in contrast with The Arabian Nights or Metamorphoses tells a single story from beginning to end. Zimmerman did a fair bit of research into the differing versions of The White Snake and does a good job reconciling them. At a few key moments of the play the action freezes, and we’re told that “here our story splits like a.
- This had gone on for a long time, when one day the servant, who took away the dish, was overcome with such curiosity that he could not help carrying the dish into his room. When he had carefully locked the door, he lifted up the cover, and saw a white snake lying on the dish.
- The White Snake is a theatrical spectacle that was fun and engaging from the start, and really deserves to be seen! I cannot put into proper words how cool the effects were, or how drawn in I was.
- Just watched a performance of The White Snake in San Diego. Completely captivating. It felt both fresh and timeless. I'm eager to get my printed copy of the play to revisit the story. I'll revise my review after reading the play but based on the San Diego production, The White Snake is.
In an innovative new production of Mary Zimmerman’s “The White Snake,” Baltimore Center Stage takes on a time-old tale of love, acceptance and friendship set against a backdrop of magical realism. The legend of the White Snake has existed within Chinese oral tradition for thousands of years and is brought to life in a brilliant display of projection art, puppetry and fight and dance choreography, effectively creating a world of color and intensity.
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Adapted from a famous Chinese fable, “The White Snake” tells the story of the title character, played by Aimé Donna Kelly and her best friend, Green Snake, planned by Eileen Rivera, as they turn into humans to see what it’s like to live on Earth. As they spend more time on Earth than they had planned White Snake falls in love with a pharmacist’s assistant and begins a life with him. Later, when an evil monk discovers White Snake’s secret identity as a spirit, she must fight to save her relationship.
Based on the 'Legend of the White Snake' (not whale), this production uses beautiful staging and abstract minimalism to convey a vivid world of imagination. It dances on the edges of dream and reality as echoed by the play itself: 'Xu Xian felt as if he had been asleep his whole life, and now suddenly was awake to reality for the first time.
Center Stage’s “White Snake” is the first production not directed by Zimmerman and Rivera, the only member of the company who has seen the play before, calls this rendering completely different – a “rotating door of things” that combines the literal with the fantastical. Rivera says the role is physically demanding – but, she said, “The role is so amazing.”
Kelly and Rivera use puppets, parasols and fans in order to portray themselves as snake spirits before transforming into humans, but even though the props are put away on Earth, the puppets do eventually return in a twist to the tale. Kelly “loves the idea of embodying fantasy” as it “forces the audience and [me] to be in another world.” Even though “White Snake” is fantasy, it does embrace many universally-acknowledged ideals, like love and happiness.
“The White Snake” bridges a cultural gap, allowing audiences to see into a different culture’s narrative history and to appreciate both the similarities and differences to their own traditions. “There are parallels [within “White Snake”] to what’s happening in our world today,” Kelly said. “It’s important for people to open their minds.” She advises theatre-goers to come see the production “without barriers up” and to be their “most awesome and open, available self.”
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The aspect of multicultural representation within the play also feeds into this idea of universality. Rivera, an Asian-American actress, is delighted with both the opportunities “White Snake” provides and the prevalent themes of love throughout the show. “It’s great to use other fairy tales because it brings you into another [culture],” Rivera said. “But it’s the same lesson of tolerance.” A whirlwind of spectacle and theatrics with, as Rivera put it, “a ton of heart,” “The White Snake” is sure to amuse, enchant and inspire.
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“The White Snake” will be performed in Baltimore Center Stage’s Head Theater and will run through March 26. Tickets can be purchased online or through the Box Office and cost $20 with a valid college ID.